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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
		28	0	10	3	87%
Fagotto.		28	0	10	3	87%
Organo e Continuo.		28	0	10	3	87%
Violone.		28	0	10	3	87%
Viola.		17	0	6	4	76%
Violino I.		21	0	6	3	76%
Violino II.		21	0	6	3	76%
Flauto traverso II.		18	0	5	2	70%
Soprano.		16	0	6	7	61%

Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart

Samuel Ricke

3:36	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
Violino II.		18	1	7	3	100%
Violoncello, Basso ed Organo.		33	0	13	2	96%
Organ		32	56	12	3	93%
Basso.		19	0	6	6	89%
Soprano.		18	0	6	5	89%
Tenore.		15	0	5	6	89%
Trombone II.		15	0	5	5	87%
Trombone III.		19	0	6	5	87%
Alto.		16	0	6	6	86%
Corni di Bassetto.		21	3	8	6	84%
Fagotti.		26	3	9	6	84%
Trombone I.		16	0	6	5	83%
Trombe in D.		4	3	0	4	39%
Timpani in D.A.		2	0	0	2	37%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
Bassoon		20	0	2	8	100%
Violoncellos		21	0	2	8	100%
Violas		16	0	2	8	99%
Violins		20	0	1	8	98%
		21	0	3	8	96%
Contrabasses		17	0	2	8	98%
Tenor		13	0	1	8	96%
Bass		14	0	2	8	95%
Contralto		13	0	2	8	91%
Oboe		12	0	0	8	88%
Soprano		12	0	0	8	88%
D Trumpet		11	1	1	8	73%
Timpani		2	0	0	8	50%

Requiem in D Minor, K. 626, V. Sanctus By W. A. Mozart

Samuel Ricke

1:29	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
Basso		16	0	4	5	97%
Contrabasso		18	0	5	4	97%
Violoncello		20	0	5	4	92%
Fagotti		19	7	4	5	92%
Tenore		14	0	3	5	89%
Viola		23	0	6	5	89%
Alto		14	0	2	6	76%
Violino II		20	3	4	5	76%
Soprano		13	0	2	5	71%
Violino I		21	0	3	5	71%
Trombe in D		7	11	0	3	49%
Timpani in D, A		2	0	0	4	45%
Corni di Bassetto		10	0	1	4	43%
Trombone Alto		7	0	1	4	29%
Trombone Basso		13	0	4	3	29%
Trombone tenore		9	0	2	4	29%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
Flauto.		22	0	8	3	79%
Fagotti.		26	16	11	4	78%
Violino I.		22	0	7	4	75%
Contrabasso.		23	0	8	4	73%
Violoncello.		23	0	8	4	73%
Violino II.		26	2	7	4	73%
Viola.		20	3	6	3	67%
Clarinetti in B.		21	11	7	4	65%
Corni in G.		10	12	0	4	52%

Requiem in D Minor, K. 626, IV. Offertorium: Domine Jesu By W. A. Mozart

Samuel Ricke

3:42	Est. Play Time
78	Measures
	2,990Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	9	6	100%
Violino I.		31	0	11	8	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	9	6	100%
Violino I.		31	0	11	8	100%
Violino II.		30	0	11	7	100%
Organ		49	131	20	7	95%
Tenore.		18	0	7	7	94%
Violoncello, Basso ed Organo.		42	0	17	6	91%
Alto.		18	0	7	8	91%
Soprano.		21	0	8	8	85%
Basso.		20	0	7	7	79%
Fagotti.		29	1	11	6	68%
Corni di Bassetto in F.		21	0	8	7	60%
Trombone II.		16	0	6	6	59%
Trombone I.		16	0	6	7	54%
Trombone III.		18	0	6	6	47%

Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"

Samuel Ricke

8:24	Est. Play Time
299	Measures
	4,393Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
Violoncello.		29	0	13	6	90%
Viola.		28	44	11	6	90%
Contrabasso.		29	0	13	6	89%
Fagotti.		27	40	12	7	84%
Oboi.		27	52	12	8	62%
		27	60	12	8	77%
Clarinetti in B.		23	47	7	7	72%
Flauto.		21	0	7	8	69%
Corno in B.		6	0	0	6	44%
Corno in G.		7	0	2	6	37%

Mozart: "Maurerische Trauermusik", K. 477

Samuel Ricke

3:36	Est. Play Time
69	Measures
	1,115Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi		22	34	7	6	92%
Violino I.		28	1	10	12	90%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi		22	34	7	6	92%
Violino I.		28	1	10	12	90%
Contrabasso		19	0	6	6	88%
Violoncello.		19	0	6	6	88%
Violino II.		19	12	7	9	87%
Viola.		21	16	7	7	87%
Clarinetti in B.		11	0	0	5	75%
Corni di Bassetto.		7	0	0	6	72%
		19	0	5	7	71%
		16	0	4	7	72%
Corno in E.		10	0	0	6	72%
Granfagotto.		15	0	3	7	68%
Corno in C.		6	0	0	6	58%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
Organo e Continuo.		23	0	7	7	100%
Violone.		23	0	7	8	100%
Basso.		19	0	6	5	97%
Tenore.		17	0	4	6	96%
Alto.		15	0	3	6	88%
Soprano.		17	0	4	6	85%
Violino I.		20	0	4	7	78%
Oboe.		17	0	3	7	76%
Viola.		22	0	5	7	76%
Violino II.		21	0	5	7	76%
Fagotto.		19	0	4	7	75%
Tromba I.		12	0	2	6	60%
Tromba II.		10	0	1	6	60%
Tromba III.		8	0	0	5	54%
Timpani.		2	0	0	5	50%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
Viola.		24	8	8	8	92%
Violino I.		32	2	17	11	89%
Basso.		24	0	9	6	76%
Fagotti.		23	34	9	8	59%
Clarinetti in B.		26	45	8	8	58%
Corni in Es.		11	8	1	5	50%
Flauto.		22	0	9	7	41%

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